Color grading in final cut pro x
I’ll share my thinking as I move through the shot matching process and in the next Insight, we’ll take a look at FCP X’s color match tool and how best to use it. Why? Automated features (in any software) will always fail us, eventuallyīut in this Insight, we’ll explore all the tools available to us. Of course, we’ll tackle how to use the automated Shot Match feature in Final Cut Pro X – but it’s a mistake to solely rely on that tool. In this Insight, we’re going to focus on the built-in toolset of Final Cut Pro X… which is the fundamental rule for this Desert Island Challenge. What tools are available to help us Match Shots in Final Cut Pro X? In colorist parlance, when we match shots together we may be making broad Primary Corrections or much more isolated and targeted Secondary Corrections… or a mix of both.īut as we did in the first three parts of this series we first have to ‘firm up’ the individual shots and fix their overall problems before we can decide what mix of Primary and Secondary tools we need to get our shots to match each other. Shot Matching is about both ‘overall fixes’ and ‘targeted fixes’ Once we’ve gone ahead and fixed the ‘big problems’ (bad color temperature, improper exposure, etc) we then have to get our shots to match each other. Remember… Primary Corrections are about fixing overall image problems We’ve taken that understanding to help us understand how to attack our Primary Corrections. In this Desert Island Challenge, we’ve taken an in-depth look at the image processing pipeline of Final Cut Pro X. The Desert Island Final Cut Pro X Color Correction Challenge: Part 4 How to Match Shots in Final Cut Pro X: The Tools In mid-2013 I did a two-Insight series on breaking down Final Cut Pro X’s Color Board.Tutorials / FCPX Desert Island Challenge / How to Match Shots in Final Cut Pro X Series We’ll also look at supplementing the FCPx interface with a super-useful image evaluation tool that has shipped with every Mac for over 20 years! Related Insights This Insight will focus on making our Primary corrections and understanding the Order of Operations I’ll be advocating for working in FCPx.Īt the moment I’m ignoring the Auto-Balance function… but we’ll probably discuss it later in the Challenge.
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Final Cut Pro X: Primary Color Corrections and Order of Operations In other words: rather than handing you a fish filet, I’m teaching you how to catch a fish and then use a knife to trim it. Once you understand How and Why I approach FCPx the way I do, you’ll be able to do this same thing for ANY color grading app you use. But knowing how I created my workflow? Knowing why I make the recommendations I do? The point of this series is to teach you how I break down toolsets to help me understand how to develop a workflow in the first place!Īnd since each of us has a different workflow, we’ll develop different strategies to solve our unique workflows. The point of this series isn’t to provide the Single Definitive Final Cut Pro X Color Correction workflow. Adopt my thinking, Adapt to your workflow
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This series will show you how I’d approach it.Īnd it all starts by breaking down the toolset to develop a workflow. I’ll say this up-front: If I had to grade in FCPx and do high-quality work that I can be proud of… I could do it. Learn how to apply and use Look Up Tables (LUTs) in Final Cut Pro + download our pack of free LUTs for color grading. I’m approaching this Challenge by answering: How do I transfer my DaVinci Resolve and SpeedGrade habits to FCPx, while being restricted to its (more limited) toolset. This is a short series of Insights where I show you how I evaluate Final Cut Pro X’s image processing pipeline to help you make smart decisions about which FCPx tools to use and when.Īs if I were stuck on a desert island, I’ll restrict myself to using ONLY the native filter set in FCPx (at the end of this series I’ll explore the question: If I could only bring 1 color correction plug-in, which would it be?) Here’s the color correction equivalent: If you were stuck on a desert island with only Final Cut Pro X-and no plug-ins-and a project you had to color correct, how would you go about it? Welcome to the Final Cut Pro X Color Correction Desert Island Challenge
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You know the question: If you were stuck on a desert island and could only bring one book/record/movie, what would it be? Tutorials / FCPX Desert Island Challenge / Final Cut Pro X Color Correction Desert Island Challenge Seriesĭay 6: 25 Insights in 25 Days Holiday Marathon What is a ‘Desert Island Challenge?’